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Let's Get Started!

1

Create an Account

Once you have created an account you can: 

  • Book a class

  • View your current and past bookings

  • Reschedule a booking

  • Cancel a booking 

2

Choose a Class

Visit the class schedule and choose the class you would like to take and sign up for your first session by clicking the BOOK button and following the instructions.

*REMEMBER: You need to create an account and log in to book a class!

3

Be Ready to Get Messy!

On the day of your first class come to the studio about 20 - 30 minutes before the start of class so we can show you around and get your supplies for you. At this time, you will be charged the class fee plus the cost of your starter kit and first bag of clay (approx. $55).

Wheel Throwing & Hand Building
Class Fee: $195/8weeks
(from Jan. 1, 2025)

Non-members enrolled for an 8-week session enjoy:

 

  • One (1) 3-hr class per week

  • One(1) hour of open studio before class per week for Tuesday/Thursday evening, Saturday afternoon, or one (1) hour after Saturday morning class

  • Bisque and glaze firing of class pieces finished during the 8-week session (glaze purchased separately). You have 10 days after your last class to return pieces for glaze firing. Final firing may take 2-3 weeks to complete.

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Things to note:

  • Make sure you come to class ready to get messy! You will probably want to bring a towel and/or apron. Wear comfortable clothes that you don't mind getting dirty. 

  • ​All classes are project-based and designed for ages 16 and up. We love children, but we are an adult facility.

  • Missed classes can be made up during our regularly scheduled Independent Studio times. This is only valid during your 8-week session and does not roll over. This is not a class. Always check the calendar for the most up-to-date schedule. 

  • Currently enrolled Non-members who want extra studio time may book Wheel Throwing OR Hand Building Independent Studio for an additional $10 per booking. This is independent practice time and is not a class. There is no instruction available during Independent Studio. Always check the calendar for the most up-to-date schedule. 

  • Non-returning students must clear their shelf on their last day of class. Shelf should be wiped down and made ready for the next student.

  • Non-returning students will have 10 days from the last class to return completed work for firing. 

  • Use of the studio will be terminated at the time of your last class session. This includes the option to pay for independent studio time.

  • Class fees are non-refundable.

  • This is not a drop-in class. We DO NOT offer drop-in classes.

 

VIEW OUR FAQ for more info

Classes

Become a Member!

ANNUAL MEMBERSHIP FEE: $290/year

Reduced Class fee $175/8-week session

(from Jan. 1, 2025)

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Member Benefits: Membership extends your privileges beyond the classroom.

You must be enrolled in a 8 week class to participate.

 

Becoming a member is easy and is the best way to get the most out of your clay journey. To sign up you just need to pay your annual membership fee and then an on-going class fee per 8-week session.

Benefits now include:

  • 2 classes/2 open studio

  • Extended storage and kiln space

  • Discount on selected workshops

  • Bring a friend to class pass one (1) day per year (non-transferable)

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There are a limited number of memberships available. Please contact us to inquire about becoming a member. 

Upcoming Studio Events

Connie Norman

All my life, I have struggled with writing; now, my work is completely covered in the text. This paradigm shift has allowed me to experiment with different art forms and face fears through the medium of art. An interesting adventure in self-discovery! The text in my pieces acts on several levels. For instance, it has texture, pattern, mystery, and a path to look inward to decipher a glimpse into my private thoughts. I am fascinated by the rhythmic qualities created by color, texture, and patterns. Decoration and the act of decorating are essential because it celebrates and enhances form and speaks purely of aesthetics. I use pottery as a vehicle to explore decoration and other formal questions. It allows me to investigate form, space, and image. My greatest satisfaction comes from thoroughly filling surfaces with color and finely detailed decoration in a spirit that I feel is playful and whimsical. My attempt is to make the environment an expressive participant and to address the importance of aesthetics in our daily lives.
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